The Mandragora - King of India - Tara Arts - 2004
Bollywood meets Jacobean-like duplicity in this rollicking account of King Mandragora – ruler of all India, so we’re told, before the fall and the corruption of colonialism. His was a world of signs and soothsayers, a world of ancient values and lively humanity. But, of late, the omens have been troubling. And now a strange man-like creature has been captured. A chalky-white with blue eyes, no less. What does this mean? What does it portend?
This energetic touring show is fringe theatre approaching its best. Delivered by an enthusiastic cast with gusto, precision and a real sense of personal enjoyment, its good-natured momentum is infectious. Part sly put-on and part genuine critique of easy judgements about cultural superiority, it is funny, engaging and satisfying. Sure, the substance might be somewhat thin, but it works winningly as the theatre of fable-like primary colours and seductive, uncomplicated pleasures.
http://www.fireintheair.net/index.php?option=content&task=view&id=123&Itemid=43
"For there are only six actors who have to portray the main characters of the drama which they do extremely well.
James Bellorini makes a noble Indian Soldier alternate with the devious Hastings; Anthony Bunsee contrasts the noble Madragora with a devious but very funny Indian soldier; Marc Elliott is a degenerate English aristocrat and Mandragora’s wise counsellor.
http://www.indielondon.co.uk/theatr/t_mandragora_india_clocktower_rev.htm
James Bellorini makes a noble Indian Soldier alternate with the devious Hastings; Anthony Bunsee contrasts the noble Madragora with a devious but very funny Indian soldier; Marc Elliott is a degenerate English aristocrat and Mandragora’s wise counsellor.
http://www.indielondon.co.uk/theatr/t_mandragora_india_clocktower_rev.htm